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The work can be seen at AEAPD (Largo da Academia Nacional de Belas-Artes, Lisboa) until October the 5th.

Ana Fazendeiro and Catarina worked on a simple geometric modular typeface that was an interpretation of the geometric typefaces used in the time of ‘Estado Novo’. The typefaces of these particular period where influenced by the Bauhaus style [...]

to Susana and Kai for introducing us in the world of typography!!

And here is Kai:

And here is Susana:

With the end of the workshop i decided to make a post with a last day view of the work lab, everyone was very tired but pleased with the results, so there as a special feeling in the air.

The afternoon of day two was an introduction to font editing. The learning curve is steep, and we’re happy everyone is keeping up so well. No time for blogging, we’re just running around answering questions.

The tree alphabet has been severely trimmed to act more like a typeface; quirkiness is easier to add than to remove.

The font of Catarina and Ana (F) is shaping up: a whole upper and lower case alphabet is complete, and yet with many alternative solutions (=painful decisions).

Currently, they are also working on a more stretched (condensed) version of the whole thing.

Hugo and Sofia are going a similar way like Monica and Inês: Their modules are based on non-alphabetic characters (half a parenthesis, a comma, and a hyphen):